div align=”justify”>2016, the year of Kristen Stewart with five movies announced including Woody Allen’s new one, opening the Cannes Film Festival. Choices that say who the American actress and Chanel muse is. A young woman who – from look to sexuality – masters the codes of her time and knows how to plays with them without limiting herself by doing so.
Kristen Stewart knows what she wants: to not be bored and for no one to fuck with her. She don’t say it that way, but still said it. As her romance with the singer Soko fills the columns of the tabloids, she’s in a very alert mood. It’s 10am in Los Angeles, 7pm in Paris, the voice of the very beautiful Chanel muse turns the phone call into some bumpy ride. A rough journey, that’s worth the effort. Kristen Stewart is rock’n’roll. Smart, clear-headed, wild, she acts like she breathes. In the short film ‘Once and Forever’, real-fake shooting done in 2015 by Karl Lagerfeld, she was a young bratty actress portraying Gabrielle Chanel. Muse of the fashion designer since already two years, Kristen has the (pretty) world at her feet. Woody Allen gave her the main feminine role in ‘Café Society’, which will open the Cannes Film Festival. Olivier Assayas shot her in ‘Personal Shopper’, two years after ‘Clouds of Sils Maria’, which led her, big first, to win the César for Best Supporting Actress. Twilight is far behind. The baby star has become an American figure that we love, an arty muse who plays the game. Her own.