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Vogue Goes Inside Kristen’s Cannes Red Carpet Routine

Vogue Goes Inside Kristen’s Cannes Red Carpet Routine


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Vogue.com : With the Cannes Film Festival officially underway, following last night’s premiere of Woody Allen’s CaféSociety, the week’s traditional glitz and glamour have descended on the South of France. But even amid all the couture-clad starlets and supermodels, Kristen Stewart still manages to stand out—which is as much a testament to the skill of her trusted team of professionals (Chanel’s Lucia Pica on makeup, Adir Abergel on hair, and stylist Tara Swennen) as Stewart herself, who brings a signature dose of authenticity and attitude to every red carpet turn she makes.

“She cut that Chanel T-shirt herself. It was her idea,” Pica said of the white-on-white skirt-and-shirt ensemble Stewart wore to a photo call for Allen’s new movie, in which she costars with Blake Lively and Jesse Eisenberg. (True to form, Stewart removed her black-and-white pumps promptly after it was over.)

“I think the way Kristen approaches glamour and being a movie star is really refreshing,” Pica added hours later while prepping Stewart for the film’s evening premiere. The actress, too, was uncharacteristically excited. “I really love this particular red carpet,” Stewart said as Abergel texturized her newly peroxided cropped hair before fashioning it into a deep side part. “I know that sounds obvious, but I don’t get that impending doom feeling in my gut. I’m really elated to be here—and we all want to annihilate this look.” Mission accomplished. Here, Stewart, Abergel, and Pica break down Stewart’s one part Old Hollywood, one part “Gwen Stefani in the ’90s” beauty moment, live from Cannes.

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Kristen is on the cover of Variety Magazine

Kristen is on the cover of Variety Magazine

People : Kristen Stewart doesn’t need to put a label on her sexuality to know who she is.

The Café Society actress opens up about why she chooses to remain vague about her sexual orientation in the debut issue of Variety Magazine’s new redesigned format.

“Me not defining it right now is the whole basis of what I’m about,” she says. “If you don’t get it, I don’t have time for you.”

The actress, 26, says she’s been inspired by the way young people are able to love and view each other without labels.

“There’s acceptance that’s become really rampant and cool,” she said. “You don’t have to immediately know how to define yourself.”

Though she admits she struggled with the pressure to put a label on her herself while growing up, Stewart says she now believes in the idea of sexual fluidity.

“I had to have some answer about who I was. I felt this weird responsibility, because I didn’t want to seem fearful. But nothing seemed appropriate,” she explained. “So I was like ‘F—, how do I define that? I’m not going to.”

And while she says the LGBT movement is “so important” and something she wants to be involved in, she’s careful not to send the wrong message to people who might be struggling with their own sexuality.

“I didn’t want to be this example: it’s so easy,” she explains. “I don’t want it to seem like it was stupid for them to have a hard time.”

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Kristen on the cover of Marie Claire France – June 2016

Kristen on the cover of Marie Claire France – June 2016

Kristen is on the cover (or three) of Marie Claire France ! Here are the first pictures thanks to @Gossipyal, the scans thanks to @Korita05, plus a new interview (translated by @Itsoktobeyouorg).

div align=”justify”>2016, the year of Kristen Stewart with five movies announced including Woody Allen’s new one, opening the Cannes Film Festival. Choices that say who the American actress and Chanel muse is. A young woman who – from look to sexuality – masters the codes of her time and knows how to plays with them without limiting herself by doing so.

Kristen Stewart knows what she wants: to not be bored and for no one to fuck with her. She don’t say it that way, but still said it. As her romance with the singer Soko fills the columns of the tabloids, she’s in a very alert mood. It’s 10am in Los Angeles, 7pm in Paris, the voice of the very beautiful Chanel muse turns the phone call into some bumpy ride. A rough journey, that’s worth the effort. Kristen Stewart is rock’n’roll. Smart, clear-headed, wild, she acts like she breathes. In the short film ‘Once and Forever’, real-fake shooting done in 2015 by Karl Lagerfeld, she was a young bratty actress portraying Gabrielle Chanel. Muse of the fashion designer since already two years, Kristen has the (pretty) world at her feet. Woody Allen gave her the main feminine role in ‘Café Society’, which will open the Cannes Film Festival. Olivier Assayas shot her in ‘Personal Shopper’, two years after ‘Clouds of Sils Maria’, which led her, big first, to win the César for Best Supporting Actress. Twilight is far behind. The baby star has become an American figure that we love, an arty muse who plays the game. Her own.

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Kristen to Make Directorial Debut With Refinery29

The Hollywood Reporter : Kristen Stewart is making her directorial debut with a new short film for female-focused digital publisher Refinery29

The Café Society actress is joining R29’s ShatterBox Anthology, which has committed to bringing short films from 12 female directors, writers and animators that explore the dynamic of power. The first project to result from the ethnology is Chloe Sevigny’s Kitty, which will premiere at Cannes. Stewart’s project is currently titled Water. Few other details have been released.

“It’s women training women to be directors for VR series,” says R29 content chief Amy Emmerich, explaining that it’s a way to create more opportunities for female filmmakers through a new medium. “We wanted to get women behind the lens.”

Variety : Refinery29 has inked pacts with Kristen Stewart, Gabourey Sidibe and America Ferrera to produce original programming as part of the women-focused digital media company’s new content slate.

The company announced the partnerships and unveiled more than a dozen original series at its Digital Content NewFronts presentation Monday evening. Refinery29 also announced the launch of VR29 Studios, a virtual-reality production studio, along with two dedicated YouTube channels — comedy channel RIOT and Brawlers, covering women in sports — as well as programming queued up for Facebook Live and Instagram.

Actresses Kristen Stewart (“Twilight” movies) and Gabourey Sidibe (“Precious”) will make their directorial debuts with short films for Refinery29’s ShatterBox Anthology; Stewart’s is currently titled “Water” and Sidibe’s is “A Tale of Four Women.”

“We are proud to be collaborating with award-winning talent to create a slate of female-focused content that showcases what it is to be powerful in a nontraditional way,” said Amy Emmerich, chief content officer at Refinery29.

The Wrap : A series featuring 12 engaging and inspiring short-form original scripted films created by female directors, writers, and animators that will explore the dynamics of power. The series provides the women with creative support from Women at Sundance, as well as advisory support from Killer Films’ founders Christine Vachon and Pamela Koffler. A selection of ShatterBox Anthology films will also be distributed through Comcast Watchable, in addition to running monthly on Refinery29 beginning in summer 2016.

Announced today, actress Kristen Stewart will make her directorial debut as a filmmaker with a short film currently titled Water, and actress Gabourey Sidibe will make her directorial debut with a short film currently titled A Tale of Four Women. Additional filmmakers in the ShatterBox Anthology include: Academy Award nominee Jessica Sanders, Tribeca Film Festival Nora Ephron Prize winner Meera Menon, Webby Award founder and Emmy nominee Tiffany Shlain, Courtney Hoffman, Jessica Dimmock, Robin Cloud, Roja Gashtili, Julia Lerman, and Anu Valia. The first film debut backed by ShatterBox Anthology, Kitty, which is Chloë Sevigny’s directorial debut, will premiere at the 2016 Cannes Film Festival.

Woody Allen’s ‘Cafe Society’ to Open Seattle International Film Festival

Woody Allen’s ‘Cafe Society’ to Open Seattle International Film Festival

The Hollywood Reporter : The film will have its world premiere at Cannes, but its North American debut will be in Seattle.

Woody Allen’s latest film, Cafe Society, will be featured during the Opening Night Gala of the 2016 Seattle International Film Festival.

Cafe Society stars Jesse Eisenberg as a young man who arrives in Hollywood from New York during the 1930s and finds himself swept up in the cafe society of the age. Kristen Stewart, Steve Carell, Parker Posey and Blake Lively also star.

“Woody Allen delivers a delightful, vibrant and entertaining tale that continues to expand his repertory of acting talent. Combining the power of SIFF, which boasts the largest audience of any film festival in the country, with an emerging Seattle-based film distribution powerhouse that firmly believes in the theatrical experience, along with one of our most acclaimed directors, is a perfect match,” said festival director Carl Spence.

Cafe Society will have its premiere at the Cannes International Film Festival in May.

The film is being distributed by Amazon. The Seattle-based company has six titles at the festival, including Author: The JT LeRoy Story, The Dressmaker and Gleason.

The 42nd Seattle International Film Festival will run from May 19 to June 12.

‘Café Society’ to be released in the US on August 12 via Lionsgate and Amazon

‘Café Society’ to be released in the US on August 12 via Lionsgate and Amazon

Deadline : We mentioned in our report on Amazon Studios’ CinemaCon lunch that Lionsgate is releasing the online retailer studio’s Woody Allen film Cafe Society in August. But now Deadline has learned is that the all-star film — which will open the Cannes Film Festival next month — is going wide on August 12, making it the filmmaker’s first wide release since 2003’s Anything Else.

The Hollywood Reporter : Just hours after learning that five of its films will play the Cannes Film Festival, Roy Price’s Amazon Studios revealed in Las Vegas that the streaming service is teaming with Lionsgate to release Woody Allen’s Cafe Society — which opens the festival — in theaters in August.

Price, speaking at CinemaCon, also made it clear the streaming service will give most of its original movies a proper theatrical release, unlike rival Netflix.

“A good robust theatrical run is good for everyone,” Price told the crowd, prompting several rounds of applause. “Therefore, almost all of our films will have full theatrical releases. Our goals are aligned with exhibition.”

Amazon Studios marketing Bob Berney led the lunch presentation. It’s a coup that Amazon was part of the official program at CinemaCon, considering many exhibitors have been leery about Netflix and Amazon’s move into the original movie business. However, Amazon has quickly decided that it’s better for their films to play first in theaters and honor the 90-day window before making them available to Amazon Prime customers. Otherwise, most theaters will refuse to play the movies at all.

Producer Charles Gillibert mentions ‘Personal Shopper’ & Kristen in a new interview

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Thanks to @Mel452

“The idea was to once again bring together the actress who impressed me the most – Kristen Stewart – with the director who impressed me the most, in a ghost story.” explains Charles Gillibert. “If the movie industry hates prototypes, me, I love them.”

Woody Allen’s #CafeSociety to open the 69th Cannes Film Festival

Woody Allen’s #CafeSociety to open the 69th Cannes Film Festival

Festival-Cannes.fr : The 69th Festival International du Film de Cannes will launch with a screening of Woody Allen’s new film,Café Society, on Wednesday 11 May in the Palais des Festivals’s Grand Théâtre Lumière as an Official Selection Out of Competition title. It’s a record-breaking coup for the New York director who has already opened the Festival twice, in 2002 with Hollywood Ending, and again in 2011 with Midnight in Paris.

The film tells the story of a young man who arrives in Hollywood during the 1930s hoping to work in the film industry, falls in love, and finds himself swept up in the vibrant café society that defined the spirit of the age.

Café Society features two rising stars from Hollywood’s up-and-coming generation, Kristen Stewart and Jesse Eisenberg alongside a stellar cast of acclaimed actors including Blake Lively, Parker Posey and Steve Carell. Stewart climbed the Red Carpet Steps at Cannes in 2012 for On the Road by Walter Salles and then in 2014 for Olivier Assayas’s Clouds of Sils Maria, which earned her a César. Jesse Eisenberg starred in Louder than Bombs by Joachim Trier, In Competition last year.

Woody Allen also joined forces with Vittorio Storaro for the film. The eminent director of photography was a member of the Feature Film jury in 1991 and is a three-time Oscar winner for Apocalypse Now by Francis Ford Coppola in 1980, Reds by Warren Beatty in 1982, and The Last Emperor by Bernardo Bertolucci in 1988.

From Manhattan in 1979 to Irrational Man in 2015, this will be the fourteenth Out of Competition selection at Cannes for the American director, screenwriter, actor, writer and comedian. […]

Café Society was produced by Letty Aronson (Gravier Productions), Stephen Tenenbaum and Edward Walson, as a co-production with Helen Robin (Perdido Productions). Executive producers were Ronald L. Chez, Adam B. Stern and Marc I. Stern. The film was sold by FilmNation Entertainment and distributed on French territory by Mars Films.

In France, its release in cinemas is scheduled to coincide with the official opening of the Festival de Cannes on Wednesday 11 May, 2016.

The opening ceremony, hosted by Laurent Lafitte, will be broadcast by Canal +.

The 69th Festival International du Film de Cannes will take place between 11 and 22 May, 2016. The Competition Jury will be presided over by George Miller, and the Official Selection titles are due to be announced on 14 April.

Woody Allen #CafeSociety Set for Cannes Film Festival, in the running for opening night

Woody Allen #CafeSociety Set for Cannes Film Festival, in the running for opening night

Variety : It’s shaping up to be a strong year for American filmmakers at the Cannes Film Festival, with Sean Penn’s “The Last Face,” Woody Allen’s “Cafe Society” and Jeff Nichols’ “Loving” set to make their world premieres on the Croisette.

While festival delegate general Thierry Fremaux and his selection committee still have many titles to screen and many decisions to make before nailing down their lineup in mid April, the film slate is starting to come into focus with a marked emphasis on starry English-language fare, as already signaled by the announcement earlier this week that Jodie Foster’s “Money Monster,” with George Clooney and Julia Roberts, is Cannes-bound.

A slot in the official selection has already been reserved for “Loving,” Nichols’ civil rights drama starring Joel Edgerton and Ruth Negga as an interracial couple in 1958 Virginia. Set to open theatrically Nov. 4 through Focus Features, the film would mark a return to Cannes for Nichols after “Take Shelter” (2011, Critics’ Week) and “Mud” (2012, competition). It would also put him in the rare company of directors who have had different films play Berlin and Cannes in the same year, having recently competed for the Golden Bear with the just-released “Midnight Special.”

A likely competition slot awaits “The Last Face,” Penn’s drama starring Charlize Theron and Javier Bardem as aid workers who fall in love against the backdrop of war-torn Liberia. Already stirring gossip as it will put Penn and Theron on the red carpet after they broke off their engagement last year, the film marks a return to Cannes for the actor-turned-director after his helming debut, “The Indian Runner” (1991, Directors’ Fortnight) and “The Pledge” (2001, competition). Penn served as president of the official Cannes jury in 2008.

Also set to bow in Cannes is Woody Allen’s until-recently-untitled 1930s romance “Cafe Society,” starring Kristen Stewart, Bruce Willis and Jesse Eisenberg. Set to be released by Amazon Studios (rather than the director’s usual distributor, Sony Pictures Classics), Allen’s film will screen, per his usual preference, in an out-of-competition slot. The director was at Cannes just last year with “Irrational Man.”

While an opening-night film has yet to be decided, “Cafe Society” is said to be one of a few films in the running. Allen previously opened the festival in 2011 with “Midnight in Paris.”

The 69th Cannes Film Festival runs May 11-22.

Criterion to release #CloudsofSilsMaria with new features on June 28

Criterion to release #CloudsofSilsMaria with new features on June 28

The Criterion Collection is a continuing series of important classic and contemporary films on home video. Our editions often feature restored film transfers, commentary tracks, and other supplemental features. Criterion has been working closely with filmmakers and scholars to ensure that each film is presented as its maker would want it seen and published in an edition that will deepen the viewer’s understanding and appreciation of the art of cinema.

CLOUDS OF SILS MARIA
OLIVIER ASSAYAS
DISC FEATURES
DIRECTOR–APPROVED SPECIAL EDITION FEATURES

New 2K digital master, with 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray
New interviews with director Olivier Assayas and actors Juliette Binoche and Kristen Stewart
Cloud Phenomena of Maloja, a silent 1924 documentary by Arnold Fanck that is seen in the film
Trailer
PLUS: An essay by critic Molly Haskell
New cover by Nessim Higson

More information and pre-order HERE