New York Film Festival Director and Selection Committee Chair Kent Jones said, “Billy Lynn’s Long Halftime Walk astonished me, and it moved me deeply—in the grandest way, as a story of America in the years after the invasion of Iraq, and on the most intimate person-to-person wavelength. Ang Lee has always gone deep into the nuances of the emotions between his characters, and that’s exactly what drove him to push cinema technology to new levels. It’s all about the faces, the smallest emotional shifts. In every way, Billy Lynn is the work of a master.”
Kristen Stewart, the Good Bad Girl
You know the actress from her films. The real Kristen Stewart — funny and fiercely open — is only just emerging. That took years of work.
“Good filmmaking is by people who need to get their films made, and will do anything it takes to do that,” Kent Jones, New York Film Festival director and selection committee chair, told reporters Tuesday morning, as the Film Society of Lincoln Center unveiled the 2016 fest’s main slate.
While the lineup’s three world premieres have nabbed the fest’s gala slots —Ava DuVernay’s The 13th (opening night), Mike Mills’s 20th Century Women (centerpiece) and James Gray’s The Lost City of Z (closing night), as previously announced — its main slate features a slew of titles that made memorable impressions at festivals earlier this year.
Selections from Cannes include Ken Loach’s Palme d’Or-winning I, Daniel Blake, Olivier Assayas’ Kristen Stewart starrer Personal Shopper, Jim Jarmusch’s Adam Driver title Paterson, Maren Ade’s father-daughter film Toni Erdmann and Paul Verhoeven’s rape comedy Elle, among others. The fest will also a screen a new cut of Jean-Pierre and Luc Dardenne’s Cannes premiere, The Unknown Girl — one that “changes the pace of the action in terms of the lead character,” said Jones.
Back then, when she was known as the star of the “Twilight” films, the idea of living in a world without emotion might have perhaps appealed to her. That’s the premise of her new film, “Equals,” which is about a futuristic society where humans have been stripped of feelings because they cause too much physical and mental anguish.
But now, at 26, Stewart is repelled by the idea of withholding emotion. In fact, it’s something she’s often not even capable of.
Scans thanks to KStewart Italy
Translation thanks to KStew Italy
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