Below are the outtakes and PDF Scans of the magazine.
Straight from press conference to photo shoot to me, Kristen Stewart is set to promote Billy Lynn’s Long Halftime Walk, when an assistant enters the room and tosses a pack of cigarettes.
Brightening, she rips open the pack, and heads to the hotel window, thoughtfully grabbing my digital recorder (“So you don’t miss anything”) en route to sitting on the sill, a little fidgety and blowing smoke out into the Manhattan air.
So we sat, 10 feet apart, talking about Ang Lee’s awkwardly-titled movie, taken from a Ben Fountain novel about a group of Iraq soldiers who go “viral” with video of their fruitless attempt to save a comrade (Vin Diesel), and who are honoured during halftime of a Texas NFL game (the Cowboys in the book).
They’re followed by an agent (Chris Tucker), who’s intent on turning their story into a Hollywood movie.
Stewart seems to have emerged from the glare of playing Bella Swan in the Twilight series with a remarkable measure of respect. The onetime child actress became the only American ever to win a Cesar (the French Oscar) when she won Best Supporting Actress for Olivier Assayas’ Clouds of Sils Maria
And she owns one of only two female roles of note in Billy Lynn’s Long Halftime Walk – Kathryn, the sister of Billy (Joe Alwyn), who’s furiously trying to get her brother treatment for PTSD before he re-ups for another tour of duty in a pointless war.
New York Film Festival Director and Selection Committee Chair Kent Jones said, “Billy Lynn’s Long Halftime Walk astonished me, and it moved me deeply—in the grandest way, as a story of America in the years after the invasion of Iraq, and on the most intimate person-to-person wavelength. Ang Lee has always gone deep into the nuances of the emotions between his characters, and that’s exactly what drove him to push cinema technology to new levels. It’s all about the faces, the smallest emotional shifts. In every way, Billy Lynn is the work of a master.”
Kristen Stewart, the Good Bad Girl
You know the actress from her films. The real Kristen Stewart — funny and fiercely open — is only just emerging. That took years of work.
“Good filmmaking is by people who need to get their films made, and will do anything it takes to do that,” Kent Jones, New York Film Festival director and selection committee chair, told reporters Tuesday morning, as the Film Society of Lincoln Center unveiled the 2016 fest’s main slate.
While the lineup’s three world premieres have nabbed the fest’s gala slots —Ava DuVernay’s The 13th (opening night), Mike Mills’s 20th Century Women (centerpiece) and James Gray’s The Lost City of Z (closing night), as previously announced — its main slate features a slew of titles that made memorable impressions at festivals earlier this year.
Selections from Cannes include Ken Loach’s Palme d’Or-winning I, Daniel Blake, Olivier Assayas’ Kristen Stewart starrer Personal Shopper, Jim Jarmusch’s Adam Driver title Paterson, Maren Ade’s father-daughter film Toni Erdmann and Paul Verhoeven’s rape comedy Elle, among others. The fest will also a screen a new cut of Jean-Pierre and Luc Dardenne’s Cannes premiere, The Unknown Girl — one that “changes the pace of the action in terms of the lead character,” said Jones.