You can also order the magazine HERE to read the full interview when it’s out.
Kristen Stewart is in negotiations to star in Underwater, a Twentieth Century Fox adventure thriller that is being produced by Chernin Entertainment.
Will Eubank, who co-wrote and helmed the sci-fi thriller The Signal, is directing.
Underwater centers on an underwater scientific crew that, after facing an earthquake, are forced to go on a dangerous journey for survival. The story has been described as an underwater Armageddon.
But unlike in the past, 2017 marks Stewart’s first time appearing at the fest as a director and not as an actress. She was on hand last night for the premiere of her directorial debut, a 17-minute short called Come Swim.
The artsy flick—the official description calls it “a diptych of one man’s day, half impressionist and half realist portraits”—stars just one actor Josh Kaye with voiceover work by Sydney Lopez.
“I feel amazing,” Stewart beamed at the Prospector Square Theatre.
The designer also conscripted three powerful women for the spots: Kristen Stewart, Cara Delevingne and Caroline de Maigret. It is understood the personalities were shot separately, not as a group, and that this is the first time a man has appeared in a Chanel handbag ad.
Translation by Adoring Kristen Stewart – Credit when sharing
A few days before the realease of his new movie Personal Shopper, which won the director award at the Cannes Film Festival, we met with Olivier Assayas – to whom we are dedicating a passionnating and rich retrospective for a few months.
You said : “I never reasoned with female character in the center of my movies. It’s an independent move that takes me to it, I listen to my desire, to my curiosity.” You meet again with Kristen Stewart, two years after Sils Maria. Can you tell that your desire, your curiosity to film her was not completely satisfied ?
Olivier Assayas : Absolutely. I would never had said it quite like that but, in reality, it was a choice that imposed itself. I hadn’t written Sils Maria thinking of Kristen, but more of Juliette Binoche. It turns out that I was looking for an actress to play that young american assistant and it came clear really fast on Kristen – who brought something really particular to the movie. It wasn’t thought. She plays a more unidemensionnal character, she doesn’t have Maria’s complexity (Juliette Binoche’s character NDLR). Continue reading Olivier Assayas mentions Kristen in a new interview
Below are the outtakes and PDF Scans of the magazine.
Straight from press conference to photo shoot to me, Kristen Stewart is set to promote Billy Lynn’s Long Halftime Walk, when an assistant enters the room and tosses a pack of cigarettes.
Brightening, she rips open the pack, and heads to the hotel window, thoughtfully grabbing my digital recorder (“So you don’t miss anything”) en route to sitting on the sill, a little fidgety and blowing smoke out into the Manhattan air.
So we sat, 10 feet apart, talking about Ang Lee’s awkwardly-titled movie, taken from a Ben Fountain novel about a group of Iraq soldiers who go “viral” with video of their fruitless attempt to save a comrade (Vin Diesel), and who are honoured during halftime of a Texas NFL game (the Cowboys in the book).
They’re followed by an agent (Chris Tucker), who’s intent on turning their story into a Hollywood movie.
Stewart seems to have emerged from the glare of playing Bella Swan in the Twilight series with a remarkable measure of respect. The onetime child actress became the only American ever to win a Cesar (the French Oscar) when she won Best Supporting Actress for Olivier Assayas’ Clouds of Sils Maria
And she owns one of only two female roles of note in Billy Lynn’s Long Halftime Walk – Kathryn, the sister of Billy (Joe Alwyn), who’s furiously trying to get her brother treatment for PTSD before he re-ups for another tour of duty in a pointless war.